RUN DMC - RAISING HELL (MOFI LP)

RUN DMC - RAISING HELL (MOFI LP)MOBILE FIDELITY SOUND LAB 180g AUDIOPHILE 33 RPM *SUPERVINYL* LP. LTD EDITION, NUMBERED. "Run D. M. C.'s Raising Hell remains the turning point at which hip hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything hard rock riffs, turntable scratching, itchy rhythms, hit singles not the least of which are the

MOBILE FIDELITY SOUND LAB 180g AUDIOPHILE 33 RPM *SUPERVINYL* LP. LTD EDITION, NUMBERED.

"Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash "Walk This Way," the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. And now, along with Run-D.M.C.'s first two records, it's one of the first three rap records afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition.

Sourced from the original master tapes, pressed on MoFi SuperVinyl, and featuring new liner notes, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with its musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME – and included on "Best of" lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet – the triple-platinum effort rocks the house.

Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent – and displayed just how big it could get – Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell."